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Saturday, May 30, 2009

2008 Land Rover LR2 HSE.


Land Rover LR2 HSE


Since its introduction in April 2007 the all-new Land Rover LR2 has enjoyed strong sales and to reinforce its line-up in the U.S., Land Rover North America today announced the introduction of a new and enhanced derivative – the LR2 HSE.This new version has a sportier stance than the LR2 SE due to body color bumpers and side sills, a rear spoiler, titanium door handles and 19-inch aluminum-alloy wheels. Changes to the interior see 8×6-way power adjustable seats and a storage box with a sliding cover.“The LR2 reflects Land Rover’s dynamic design, with a smart and spacious interior and an abundance of advanced technologies. It has been very well received around the world since its introduction,” said Phil Popham, Land Rover’s Managing Director. “The HSE version offers subtle changes for those customers seeking a slightly different look to their LR2.”All of the technical highlights of the LR2 SE are carried over into to the HSE model. These include a 3.2-liter inline-six engine that develops 230 bhp and provides 0-60 mph acceleration in 8.4 seconds (0-100 km/h in 8.9 seconds).The engine is matched to a new six-speed automatic transmission, with Land Rover’s CommandShift™ offering manual sequential gear changes when required.There is also a driver-selectable sport mode for even more responsive performance.The LR2 HSE is packed with technologies to improve both on-road and off-road performance. Land Rover’s unique Terrain Response™ system is standard, making off-road use easier. Other advanced technologies include a new permanent intelligent all-wheel-drive system for superior traction and better on-road fuel economy. The patented Gradient Release Control works in conjunction with Hill Descent Control to improve driver confidence and control when releasing the brakes on steep and slippery slopes.

Friday, May 29, 2009

Honda Accord Euro R


Honda Accord Euro R


Take the layout of a Honda Accord and the very powerful i-VTEC K20A 2.0 liter DOHC engine, what have you got? It's none other than the Honda Accord Euro R. It is one of the best cars in the market. The concept was developed in Japan that's why the model was only available from that country unless you are willing to import.Even the interiors of the car boasts of the sporty feel aside from the exterior fit for a race car. Sports car enthusiasts are sure to feast their eyes on this beauty. Accord Euro R has also received excellent reviews from the users. It was described as a "hot race car" by patrons. Truly, Honda is making a name for itself from its top of the line automobiles/sports car. Looks can truly be deceiving especially for the Honda Accord Euro R. But do not be deceive, behind its subtle looks is a very powerful engine. Sports car fanatics will truly have a bliss driving this one-of-a-kind model. Accord Euro R is often described by its users as a dream car and can be comparable to the exterior of the other cars. The only difference is Honda doesn't use Turbo so this is truly the best choice for those who prefer the non-turbo powered cars. That's the Honda's edge over everything else.So for those who are looking for the perfect sports car, Honda Accord Euro R CL7 is a true beauty with excellent performance to boot. You wouldn't mind driving around with this discrete car with an engine of a powerful race car. With Accord Euro R, you can truly feel the speed. If you have a lot of money to spend, you can import this model from Japan and satisfy the need for speed.
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Wednesday, May 27, 2009

Olympus E-420 is One Smokin' SLR


Olympus E-420 is One Smokin' SLR


Let's get one thing out of the way: Even though it's called the 420, Olympus' latest camera has absolutely nothing to do with illicit drug use. We tried to find a secret compartment for storing your stash: No dice.

In fact, the Olympus Evolt E-420 doesn't have much room for stashing anything. It's the most diminutive digital SLR we've seen ��� and that's a good thing. Most SLRs are bulky, heavyweight beasts tipping the scales at two pounds or more. The E-420 is more of a bantamweight, weighing in at just 1.4 pounds with the included kit lens.


That included lens continues Olympus' trend of bundling inexpensive, lightweight, versatile optics with its SLR kits. This piece of glass is a 14-42mm, F3.5-5.6 zoom lens that goes from an unusually wide-angle film equivalent of 28mm to a reasonably telephoto 84mm equivalent.

The camera's 10-megapixel sensor holds its own against other entry-level SLRs, and offers the full complement of image quality, exposure, autofocus and other settings that photo geeks expect from an SLR. Like other recent Olympus cameras, it's even got a "live view" feature so you can compose shots on the LCD instead of the viewfinder.

But while we like the E-420's size, we're a little disappointed that it isn't even smaller. With Olympus' forthcoming ultra-compact 25mm, f2.8 Zuiko Digital lens, the E-420 comes close to being the ideal weapon for a photojournalist ��� a compact, high-megapixel camera with a low profile and a fleet footed lens.

But it's not quite there yet: At 3.5 inches from the front of the 25mm lens to the back of the viewfinder, the E-420 is still too bulky to fit unobtrusively in a jacket pocket. But it's definitely a step in the right direction. We're looking forward to the next next version in the series, even if it Olympus forgets to add that secret stash compartment. ���Dylan Tweney

WIRED Light weight and small size make it far more portable than most DSLRs. Live view lets you compose on-screen instead of peering through the viewfinder. Speedy autofocus. No discernible shutter lag. Paging all photo geeks: RAW format support.

TIRED Fewer buttons means it takes more menu-surfing to adjust basic settings like ISO and white balance. Face-detection feature can be slow. Four Thirds lens compatibility is largely moot, as no manufacturers beside Olympus and pricey Sigma support the standard. No pop-up bong attachment.

Feature-wise, the E-420 holds its own against other low-cost SLRs. The 10 megapixel sensor produces good quality images with little noise up to and including ISO 800 (it maxes out at ISO 1600).

The camera is fast, squeezing off shots with no shutter lag, just as you'd expect from an SLR. Like other recent Olympus cameras, such as the E-510, it has a "live view" mode, which lets you compose shots on the LCD instead of peering through the viewfinder as you must do with most SLRs.

The 2.7-inch LCD is bright and has a wider viewing angle than most camera displays, but images update more slowly in live view mode than they do on most point-and-shoot cameras, making this mode more suitable to slow-moving targets than fast-moving ones.

The E-420 sports a variety of autofocus modes including one that automatically detects faces in the frame and focuses on them. That feature worked well in our tests but sometimes took as much as a second to locate a face. It also only works when the camera's live view mode is switched on.

In addition to the kit lens, we also tested the E-420 with a very trim $250 Zuiko Digital 25mm prime (fixed focal length) lens from Olympus that drops the weight of the camera to a trim 1.2 pounds. The Zuiko lens is just 1 inch from front to back -- much smaller than almost any other digital camera lens on the market. Its focal length corresponds to that of a 50mm lens on a standard 35mm film camera, which closely corresponds to the viewing angle of the human eye, and is a popular focal length for portraits and candid photography.

Unless you subscribe to the lens-size-correlates-with-penis-size theory touted by many tourists, this compact lens's miniscule dimensions make it quite appealing. It's especially good for unobtrusive "run and gun" photography: shooting street scenes, political demonstrations, footraces, or crime scenes. Or, if you're less adventurous, it should work pretty well at the family reunion picnic or the county fair.

The aperture of f2.8 is not as large as we'd like in a small prime lens like this. One of the main reasons you'd use a fixed focal-length lens is to get the larger aperture it affords, so we're disappointed that this doesn't even offer f2.0, which would make it a true standout among low-cost lenses for digital cameras.

10 megapixels cameras rush


10 megapixels cameras rush


The holidays are near. The family gatherings are imminent. You have to take some pictures for remembrance, its the tradition. Show them that latest camera to get some attention. But before you go rushing to get one, check out the latest 10 megapixels compacts and ultra slims that are or to be launched. They look good. I’m still deciding which one to get.

Choices! after the jump.

NIKON D70 DSLR - 6.1 MP DIGITAL CAMERA


NIKON D70 DSLR - 6.1 MP DIGITAL CAMERA

July 2004 - I have read so many good articles about this D70 Digital Single Lens Reflex camera (DSLR) and seen so many breathtaking images that this camera has produced, that I decided to take the plunge and invest in one. The benefit of this camera is that I now have better control over the focal length of my images via a variety of interchangeable lenses, coupled with the increased file size capacity, RAW format images and the ability to use the D70 in low light conditions, plus many, many more brilliant features that makes this camera a real winner (in my humble opinion).

Check out for a professional review of this Nikon D70 digital camera.

NIKON D80 DSLR - 10.2 MP DIGITAL CAMERA


NIKON D80 DSLR - 10.2 MP DIGITAL CAMERA

July 2007 - This is my latest camera and really is a natural progression from my Nikon D70 (see below). The main difference of these two cameras is the larger 2.5" LCD screen that is so easy to view your captured images on, it also boast a whopping 10.2 Mega Pixel sensor as well, plus many, many more features that makes this camera a real winner for me, however I have not had it very long so I will keep trialling it out over the next few months or so and let you know how it is going via the - The above camera is shown with the Nikon D80 battery grip of which I purchased from AJ Purdy.

Sony's new SLR adds heft to full-frame market


Sony's new SLR adds heft to full-frame market

LAS VEGAS--The heyday of 35mm film SLR cameras is long past, but one foundation of the technology is staging something of a comeback with new help from Sony.

The vast majority of digital single-lens reflex cameras today use an image sensor that's smaller than a full frame of 35mm film, which means lenses behave somewhat differently than on a film camera. For years, only Canon sold SLRs with a full-frame sensor, but Nikon entered the market with its top-end D3 late in 2007. At the
We will commercialize this model by the end of this year," said Toru Katsumoto, senior general manager of Sony's digital imaging business group. "This model uses a full-frame size, 24.6 megapixel, CMOS censor with Exmor

Sony hopes the company's flagship SLR will appeal to professional photographers, but Katsumoto said in an interview that's not the main thrust for the camera.

"It's not for the real professional," Katsumoto said of the flagship model. "We'd like to make this camera of course for professionals, but also for enthusiasts and high-end amateurs."

Sony's move helps the full-frame remain relevant and perhaps spread it a bit more widely. But don't expect the full-frame format to dominate the way it did in the 35mm film era.

Full-frame economics
It's much more expensive to manufacture larger image sensors. Other SLR makers--Olympus, Pentax, Panasonic, Leica, and Samsung--use smaller sensors only, and Nikon and Canon say their small-sensor camera lines are here to stay. Camera makers also have been selling lenses that are geared specifically for small sensors and that sometimes don't work on full-frame models.